
Good morning from the darkness of my little corner,
I am always amazed by talented people, those who are artistic (e.g. drawing, painting, sculpting, for instance) as I am not particularly talented. I think of a former student who is now an art teacher, and a recent post illustrated (pun intended) how both of her young children profoundly capable at this ability too. I have colleagues who are exceptionally (in fact unparalleled) pianists, dancers, thespians. And while I have strong talent as a writer, again there are those I know well who are noted awarded writers and poets. And while I have writer a couple short stories as well as some poems, I am not sure I would ever be asked to contribute to a collection or write a book of such. While I admire each of these skills, I believe poetry is what I find more astounding to me than any other art. One of my best friends, and former colleagues is a well-known, and nationally acclaimed poet. His ability to bring to life any aspect of Central Pennsylvania is unlike anything I’ve ever experienced.
Recently as I lay awake at O-Dark-Thirty, I watched a reel where an English professor (and perhaps movie critic) laid out three movies that used classic poetry most effectively in their script and through the action of a character. One such poem contains the line (fragment) that is title of this blog. I was caught by the line, which comes from the poem “Ulysses,” and uses the word “lees,” which is the sediment that collects at the bottom of a wine barrel after the wine is first barreled and before they rack the wines and do any secondary malolactic fermentation. The picture at the beginning of this entry is racking wine. The lees can also be a component of grappa, something made from the stems, skins, seeds and pulp of the pressings. And it is dangerously strong. For a long time, lees was considered something to merely discard, something with little value, and if you’ve seen it in the buckets where it is collected after racking (btw, there are approximately 59 gallons of wine in a barrel), you can imagine such a perspective. And yet, the buckets are collected together and allowed to settle and additional wine can be extracted. The lees has value. However, in the poem, Tennyson noted that Ulysses is still longing for more to his life, that he is willing to push it to the last drop of drinkable wine, drinking it to the lees. As the movie, The Odyssey, is exploding at the box office, an entire new generation is being pulled back to Homer’s epics. And the influence of this Trojan War hero once again finds itself filling the minds of those who were required to read the classic in high school or college.
What causes someone to explore their world, to push the limits of their experiences, to imagine their life beyond what they see daily? Certainly, I have great appreciation for the concept of wanderlust. And while my time in the Marine Corps taught me a great deal about the world and myself, it was my first journey to Europe with Dr. John W. Nielsen that whetted an appetite for travel that has never faded. However, I am compelled to ponder what was it about that trip that moved a somewhat sheltered NW Iowa lad, and yes, Marine Corps veteran to fall hopelessly in love with his world? Was it the sites that moved from pictures in the incredible text Gardner’s Art Through the Ages to experiencing it in person? Was it experiencing road signs and billboards in another language? Was it being, albeit minimally at best, to use my beginning German? Even now I am unsure, and while my next two cross-Atlantic trips would occur 5 and 10 years later, they served to strengthen my desire, perhaps an actual need, to return to absorb, to drink from the barrel of carefully fermenting wine (e.g. the cradle and the centuries of heritage America had and has drawn upon). I was walking through our humanities class and experiencing it with all my senses.
In the time since what was a third journey, twenty-five years would pass, and while I did a lot of other travel, Europe remained an important, but aging memory. Certainly, living next to Lydia, the little Austrian tornado, who somehow adopted me and I her, ignited the faint embers of my European experience. Then, unexpectedly, I had a student in a summer class with Polish heritage, and dual citizenship the first few years I was in Bloomsburg. A dinner with her father the fall of 2014 would lead to setting up a visit to Kraków, Poland, which was not only her hometown, but where a group of Bloomsburg students would be traveling. Because of that relationship, I would meet someone, another professor, an incredibly brilliant man I might call the European version of Pope John, my advisor and person who first took me to Europe, yes, the person noted above. Dr. Mykola Polyuha is as much a Renaissance person as Dr. Nielsen was, and he afforded me the incredible opportunity and privilege to work with him over the next half decade. Additionally, I would travel to Poland and take two intensive summer language classes. Had COVID not have changed our world, I would have spent a semester teaching at Jagiellonian University.
Another aspect of globalism, or my desire to be more worldly inclined, was my affinity for students from other countries, from other continents and cultures, which would prompt me to have three different exchange students, two which I hosted from a traditional exchange program, while the first came through having that person in class and their parents visiting my home. She would spend more time in my home than in her apartment. I have visited two of the three countries and homes of those former students. What I realize is my travel experiences have allowed me a sort of wandering that is not completely different from that of Ulysses, though not related to a life as a soldier. My first journeys away from Iowa were in the Marines, and I visited places never anticipated. My return home was also not completely different again as I struggled to feel welcomed back, both because of my own mother as well as the public reaction to Vietnam veterans. My year before I started at Dana, I traveled throughout the Midwest sort of itinerantly. Dana and Dr. Nielsen would create a thirst for travel that has never left. Perhaps like the barrel and its lees, I am still going, and perhaps I am closer to the time of racking than I know. And yet, the lees allows for more possibilities. It has value, and perhaps the strongest of options is still ahead. Wait and see. The second movie and the incredible of poetry uses Whitman. It’s one of my favorites.
Thanks for reading and create a verse, drink the lees.
Michael









